![]() ![]() To start, there’s COSM technology to model the sound of vintage and high-end studio microphones. But with the addition of 24-bit/96kHz A/D converters and DSP effects, this futuristic mic pre takes things to a whole new level. COSM Mic Modeling and DSP EffectsĪt its basic level, the MMP-2 sounds great. Then, we designed a circuit that separates the analog, digital and power components, creating maximum warmth with minimal noise-a difference you can really hear. How is this possible? To start, Roland carefully selected each of the analog components. In blind listening tests, these preamps were rated higher than much more expensive stand-alone models. The MMP-2 uses the same analog circuits of the mic preamps used in Roland’s VS-2480. Bundled software with intuitive graphic editing of EQ, compressors and more.USB port allows PC control, plus ability to download new effect plug-ins.Coaxial digital I/O and aes/ebu digital output for tight studio integration.Analog I/O includes 2 XLR/trs Mic inputs with Phantom Power and 2 XLR Line outputs.Includes 4 bands of fully parametric EQ with 9 filter types, modeled tube compression, plus enhancer and de-esser.Models are optimized for AKG C3000B, plus four additional mics.COSM Mic Modeling for a variety of high-end mic sounds.COSM Preamp Modeling for access to 9 classic and modern studio preamp sounds.Combines premium analog components and 24-bit/96kHz A/D conversion.2-channel modeling preamp for recording and live performance.Tool for recording microphones and acoustic instruments. You can even download new effect plug-ins through USB, making the MMP-2 an indispensable And the sound quality rivals that of preamps costing hundreds more, thanks to superb-quality analog circuits andĢ4-bit/96kHz A/D conversion. It cannot be used with other forms of microphone power.Ī unique electronic design on a small PCB designed made and assembled in the UK.The Roland MMP-2 offers new features not found on any other microphone preamp?like COSM Preamp and Mic modeling, four bands ofįully parametric EQ, modeled tube compression, an enhancer and de-esser-plus ultra-intuitive control software for your Mac or It is powered from 12 to 48 volt phantom power which is normally switchable on the microphone input of most professional recorders and mixers. The preamplifier is best positioned as close to the microphone as possible, in this way the maximum signal to noise benefit will be achieved. Instead the mixer gain could be reduced to 40 dB with 20 dB provided close to the microphone by the Mini MicBooster. A typical situation may be an effects mic which would normally have 60 db of gain at the mixer. At levels above -10 dBu distortion will begin to occur. ![]() It is not designed for and should not be used to amplify a signal to line level. The preamplifier is designed to boost low level mic signals before they go into the microphone input of a recorder or sound mixer. Connectors all Neutrik gold plated 3 pin XLR.Internal circuitry encapsulated for robustness and maximum moisture resistance.Strong Neutrik extruded aluminium case with laser engraved legend.For a phantom powered mic requiring maximum current there will be a phantom voltage drop of 2.6 volts and no shunt current used for a non phantom powered mic there will be a phantom voltage drop of 2.6 volts and a shunt current of less than 1.5 mA.The amplifier is equipped with self sensing power circuitry and depending on the source microphone will adjust between the following worst case scenarios:.Powered from 12 to 48 volt phantom power (DIN 45 596).Output - electronically balanced 200 ohm output impedance.Polarity - input to output is non inverting, polarity is preserved. ![]()
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